Scrivener. Y'know - for writers.
Okay, if my 10 year old can use this software to write his books, so can you!  It's called Scrivener, and it's developed by Literature Latte' so how can it be anything but smooth and satisfying?!  You've probably already heard of it from some great authors like Joanna Penn and Stephen Woodfin, but I thought I would add my thoughts.

Since I've only met one author who actually writes linearly - from the beginning to the end of the story - most of us fragmented people who call ourselves authors will find Scrivener very intuitive.  Since I'm a Mac user, the Mac version of this software feels very natural.  Here are my favorite parts:

The Project Templates and Interactive Tutorial

You can always start with a blank page in Scrivener, but that huge white space usually terrifies most writers.  No worries, many templates are waiting for your creativity to fill them.
  • Fiction has three templates: Novel, Novel (with Parts) and Short Story
  • Non-Fiction has seven, from Chicago Style Essay to General to Undergraduate Humanities Essay
  • Scriptwriting formats your writing for Radio shows, Screenplays or Stage Plays, but I can't wait to play with the Comic Script template
  • Poetry & Lyrics - great for that unique form of writing
  • Miscellaneous templates has my next project waiting for me...a Recipe Collection

Whichever template you choose, the formatting is ready for your content.  The current Ghost Writing project I'm writing called for the non-fiction template which came formatted with Title Page, Contents, Forward, Chapter folder, Endnotes and Research Folders at the ready.  The entire manuscript can be viewed at a glance as note cards on a cork board or written outline form.  There are many icons, formatting and organizational options to satisfy my anal-retentive side, and the freedom I crave for my creative side.

Ready, Set...Compile!

The compile feature is just like the export feature of Pages on my Mac, only 5 times better...literally! First, you can format your manuscript as the following:
  • Ebook
  • Outline
  • Paperback Novel
  • Synopsis
  • Proof Copy
  • etc.
Then, you can compile your formatted copy into the following:
  • Print
  • PDF
  • Rich Text
  • Word
  • Plain Text
  • ePub (iBooks)
  • Mobi (Kindle)
  • html (Webpage)
  • etc.
I currently have five projects going in Scrivener.  That shows you how scattered my mind is.  My 10 year old son has two.  He's following right along in mom's footsteps.

If you are a writer hoping to be a published author, or a writer who already is published, Scrivener might just be the best tool in your self publishing arsenal.  It certainly makes my self publishing life a lot easier!

Happy Writing!

~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left

 
 
Petr Kratochvil, PublicDomainPictures.net
What is the saying again?  A picture is worth a thousand words?   What if your novel is 80,000 words?  Is the picture (cover) you've chosen worth 80,000 words?  If it isn't, readers will not be drawn to your book, buy it, read it and possibly review it! 

Andrea and I recently helped a client choose an illustrator for her cover, and we faced the same issues we face each time we search for the perfect cover for a client's book.  So, I thought we would try and answer the question:

What makes a successful cover for YOUR self published book?

It would be great if the answer to this question was as simple as taking a picture of your favorite waterfall, typing the title of your book in any open space, and adding your name as the author towards the bottom in somewhat smaller font...but it's not.  Although picture, title and author are key components, their position, size and meaning are vital.  You may even need slightly different covers for electronic and physical versions of your book to account for thumbnails  vs. competition for attention in bookstores.

Let's consider the key parts.

~ Title/Author.  If you have had more than one edit - content and copy - your initial title may well have changed during this process.  Therefore, the key elements you want your title and cover to convey may have also changed.  You must also consider what style font you wish to use for both title and author, and whether the text will share or compete for attention with an image.  I wouldn't suggest assigning your ISBN, designing your cover or blogging/networking about your new book until you have completed edits and are relatively sure of the exact title.

~ The Picture/Background.    Your favorite waterfall may have very little, if anything to do with the content of your book.  Therefore, if you want a picture on your cover, the first thing you must consider is graphic arts or illustration.  Each has a unique look and feel as illustrated below. 

The Harry Potter book is a drawing/illustration.  The Of Poseidon book is created using Graphic Arts.  Either way, you need to convey to the artist creating your cover the feeling you want a reader to have when they initially see your book. A good cover artist will be sure there is enough non-essential space available for your title and author name to stand out, and that all elements come together to create an outstanding representation of the work your cover protects and advertises. 

I can't wait to share our latest client's book cover with you, as the illustrator is amazing, but first, all the above details must be worked out.

What were the key components you wanted your book cover to show a potential reader?  How did you ensure it would entice a possible reader to click or pick up your book?  Please share!


~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left

 
 
Picture
In my mind, the real difference between self publishing and traditional is the control factor. Traditional publishing houses own the rights to the author’s book; therefore, they’re in control of everything from how the story is written to who the audience will be. If they want something rewritten to their specification, the author doesn’t have any choice once they’ve signed the contract.

Because of that, many writers decide to self publish. But, does that mean they’re completely on their own, having to learn how to edit, design covers and the ins/outs of formatting? Not necessarily. In fact, it’s just the control factor that's different. Instead of taking on the entire publishing process on their own, they can hire people to assist them. But, the big difference is that the author remains in control. They’re the employer instead of the employee and their vision remains in tact while others are allowed to help bring it to life.

So, which services should a writer hire out and which should they tackle on their own?

To create a self published product worthy of competing in the big leagues, authors want to be sure they hire a professional editor. A good editor should work with the writer from plot to proofreading. They will not only look for the holes and inconsistencies, but the best ones will offer recommendations and solutions to make the story shine it’s brightest, without losing its core vision. Of course, most writers want their story to remain as it was originally intended, but they should also be certain they write a page turning story where their audience gets lost in the prose. Nothing breaks that spell more than boring, unnecessary back story, dialogue that doesn’t fit with the character’s personality, and/or plot lines that are going nowhere, leaving the reader with more questions than answers.

The cover art is the next service that should be hired out. (Unless the author is a professional graphic artist.) Self Publishing has made it easier than ever for an author to get their work out to the public; but the downside is there are also many more books with which they must compete. With a book’s first impression based on the cover art, no writer should squelch on this important publishing decision.

There is some investment involved: either time or money.

But, the recent explosion in self publishing has increased the competition for those pre-publishing services, so it is possible to find highly competitive rates. Like with any important purchase, it’s always best to shop around and/or get referrals. For those services an author may choose to forge on their own, a whole host of free information on how-to self publish can be found.

Are you an author that has published on your own? If so, which services did you hire out and which did you feel you could handle yourself? Did you have to learn a whole new skill set to do it? I'd love to hear your experiences.

--
Andrea Bandle
Writer/Editor, Co-Founder
editor@helpmeselfpublish
@HelpMeSelfPub