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--
Andrea Bandle

Writer, Editor/Co-Founder
editor@helpmeselfpublish.com
@HelpMeSelfPub
 
 
Help Me Self Publish
The dreaded sixth grade writing assignment has arrived.  
"Write a Story," his teacher said, and Riley dove in excitedly!



Okay, you are permitted to ask yourself, "Sixth Grade? Is she kidding?!" 


Bear with me, I think this will be relavent for adult writers also.

Riley is currently writing an Action-Adventure Novel, so this was the perfect way to see how it was going with the toughest critic he could find...his Language Arts Teacher!

First, he wanted to understand the parameters:
  • How long does it need to be?
  • When is it due?
  • How many drafts will be required and graded?

Okay, as adult authors, our parameters might be a little different, but these actually correlate quite well, since they speak to the two most important elements: deadline and audience.

Understanding the parameters allowed him to sit down and write a three page first draft story/scene from his novel in about an hour, after finishing his math and science homework, of course.  Keep in mind, he has not actually started writing his novel, he has only created character profiles in Scrivener.  He has written most of his novel in his head, however, which leads to his first tip:
  1. "Your story starts in your imagination", and it has to live there for a while for you to love it and write it.  NaNoWriMo aside, we need to have digested our stories a bit before we actually start writing them, otherwise, we have no framework from which to create something coherent.  The longer you live within the world you create, the more you know its possibilities and limitations - but don't die there!
  2. "Decide how your story talks" by choosing how to start it.  Is this first person, third person or narrative?  Does it start in the middle of the action, or does someone tell you what they see?
  3. "Write what you hear, see and smell" when you are in your imagination story write as if you are actually there.  This is easy if you also read books in the genre for which you write.
  4. "Have a beginning, middle and end" that keeps people waiting to see what happens next, and is consistent with the world you created.  Don't forget that your characters' actions need to be consistent within that world, too!

These tips may seem elementary, but we all need to come back to the basics when we start getting too hung up on semantics, publishing details, formatting, cover art, day jobs, social media, and our family life.

As for Riley, he got the critique he needed, along with a surprise.  He received 100% for his efforts, and the teacher asked if she could read it to the class as an example of how to write a great story!  She also asked Riley if she could copy it to share with future sixth grade classes.  



Riley smiled sheepishly, and said, "Sure."



This 11 year old writer is floating on cloud nine, and motivated to write the rest of the book.  


We haven't talked about publishing yet, but I'm confident that MommyLoves Publishing will work out a deal!

Do you ever stray from just writing freely from your imagination?  If so, what do you do to get yourself back on track?  Thanks for sharing your ideas!



~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left


 
 
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Why can't I embrace ebooks? I love email and bill pay and can't imagine sending letters or my mortgage payment via snail mail. I don’t know if it’s because I was younger when new technologies such as the internet took over (while ebooks came onto the scene after I turned 40), but to be honest, print books have a slight edge with me.

Here are my five reasons why:

  1. "Screenitis". I suppose I think of “work” when I read something on a screen. The company I work for during the day is paperless, so I spend nearly the entire time I'm there in front of a screen. My moonlit job of editing is also done strictly online as I no longer edit on paper like I did in the golden era of pre-computers. Add to that, emails, social media, writing blog posts, and taking care of my finances online, it's hard to judge how many hours I end up spending in front of my computer.

  2. eBooks don’t speak to me. My printed paperbacks or hardcovers call to me. They sit neatly on a coffee table and when I relax on the couch after a long day, the vibrant covers lure me into entering their world. Although I don’t always listen to their call…those covers attract me in a way that no electronic device seems to.

  3. Lack of connection. Speaking of the cover…there’s something about a print book that's alive, especially if there’s a drawing of any of the characters. I will often refer back to the cover image while reading which helps me feel connected to the characters.

  4. I can’t see how I’m progressing. Currently, I’ve only read on the Kindle platform, so I’m unaware if other ebooks are lacking this…but I never know what page I’m on. This is probably due to the ability to change text sizes, which appears to alter the amount of words on the screen. There is a status bar along the bottom letting me know the percentage of the book read, but there’s something about seeing where my bookmark is and judging how many pages I’ve completed compared to how many I still need to go that inspires me to keep reading, especially as I’m nearing the end of a long book.

  5. I keep forgetting they’re there. This is probably my biggest issue. If you use the free ebook app on your computer, iphone, or ipad – it’s really easy to forget to read your books. Out of sight out of mind. Of course, this may be easily rectified once I buy an ebook device.

It's great to have choices. And today, it's easier than ever to self publish whether it's to ebook or print-on-demand. Fortunately, for those of us who still prefer a book in hand - it's great to know you don't have to store tens of thousands of copies in your garage in order to satisfy us.

(BTW, writing this blog post has helped remind me to get back into the latest ebook I’ve been reading. Wish me luck.)

Do you prefer ebooks to print? If so, why? If you also prefer print and you have additional reasons to add to my list, please share.


--
Andrea Bandle

Writer, Editor/Co-Founder
editor@helpmeselfpublish.com
@HelpMeSelfPub



 
 
Scrivener. Y'know - for writers.
Okay, if my 10 year old can use this software to write his books, so can you!  It's called Scrivener, and it's developed by Literature Latte' so how can it be anything but smooth and satisfying?!  You've probably already heard of it from some great authors like Joanna Penn and Stephen Woodfin, but I thought I would add my thoughts.

Since I've only met one author who actually writes linearly - from the beginning to the end of the story - most of us fragmented people who call ourselves authors will find Scrivener very intuitive.  Since I'm a Mac user, the Mac version of this software feels very natural.  Here are my favorite parts:

The Project Templates and Interactive Tutorial

You can always start with a blank page in Scrivener, but that huge white space usually terrifies most writers.  No worries, many templates are waiting for your creativity to fill them.
  • Fiction has three templates: Novel, Novel (with Parts) and Short Story
  • Non-Fiction has seven, from Chicago Style Essay to General to Undergraduate Humanities Essay
  • Scriptwriting formats your writing for Radio shows, Screenplays or Stage Plays, but I can't wait to play with the Comic Script template
  • Poetry & Lyrics - great for that unique form of writing
  • Miscellaneous templates has my next project waiting for me...a Recipe Collection

Whichever template you choose, the formatting is ready for your content.  The current Ghost Writing project I'm writing called for the non-fiction template which came formatted with Title Page, Contents, Forward, Chapter folder, Endnotes and Research Folders at the ready.  The entire manuscript can be viewed at a glance as note cards on a cork board or written outline form.  There are many icons, formatting and organizational options to satisfy my anal-retentive side, and the freedom I crave for my creative side.

Ready, Set...Compile!

The compile feature is just like the export feature of Pages on my Mac, only 5 times better...literally! First, you can format your manuscript as the following:
  • Ebook
  • Outline
  • Paperback Novel
  • Synopsis
  • Proof Copy
  • etc.
Then, you can compile your formatted copy into the following:
  • Print
  • PDF
  • Rich Text
  • Word
  • Plain Text
  • ePub (iBooks)
  • Mobi (Kindle)
  • html (Webpage)
  • etc.
I currently have five projects going in Scrivener.  That shows you how scattered my mind is.  My 10 year old son has two.  He's following right along in mom's footsteps.

If you are a writer hoping to be a published author, or a writer who already is published, Scrivener might just be the best tool in your self publishing arsenal.  It certainly makes my self publishing life a lot easier!

Happy Writing!

~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left

 
 
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A couple of months ago, I wrote a post concerning the potential need for liability insurance. The comments ranged from it being unnecessary and a potential waste of money, to fear of not having it and deciding to research it further. Today, one of our followers let us know that a major bookstore chain would only carry his book if he had liability insurance, so he asked us for a recommendation.

While neither Mary nor I have anyone personally to recommend, I did discover that the Authors Guild is now offering media liability insurance policies for their members.

Have any other authors needed to carry liability insurance as part of a bookstore deal? We're curious to learn if this is becoming a trend.

--
Andrea Bandle

Writer, Editor/Co-Founder
editor@helpmeselfpublish.com
@HelpMeSelfPub


 
 
Petr Kratochvil, PublicDomainPictures.net
What is the saying again?  A picture is worth a thousand words?   What if your novel is 80,000 words?  Is the picture (cover) you've chosen worth 80,000 words?  If it isn't, readers will not be drawn to your book, buy it, read it and possibly review it! 

Andrea and I recently helped a client choose an illustrator for her cover, and we faced the same issues we face each time we search for the perfect cover for a client's book.  So, I thought we would try and answer the question:

What makes a successful cover for YOUR self published book?

It would be great if the answer to this question was as simple as taking a picture of your favorite waterfall, typing the title of your book in any open space, and adding your name as the author towards the bottom in somewhat smaller font...but it's not.  Although picture, title and author are key components, their position, size and meaning are vital.  You may even need slightly different covers for electronic and physical versions of your book to account for thumbnails  vs. competition for attention in bookstores.

Let's consider the key parts.

~ Title/Author.  If you have had more than one edit - content and copy - your initial title may well have changed during this process.  Therefore, the key elements you want your title and cover to convey may have also changed.  You must also consider what style font you wish to use for both title and author, and whether the text will share or compete for attention with an image.  I wouldn't suggest assigning your ISBN, designing your cover or blogging/networking about your new book until you have completed edits and are relatively sure of the exact title.

~ The Picture/Background.    Your favorite waterfall may have very little, if anything to do with the content of your book.  Therefore, if you want a picture on your cover, the first thing you must consider is graphic arts or illustration.  Each has a unique look and feel as illustrated below. 

The Harry Potter book is a drawing/illustration.  The Of Poseidon book is created using Graphic Arts.  Either way, you need to convey to the artist creating your cover the feeling you want a reader to have when they initially see your book. A good cover artist will be sure there is enough non-essential space available for your title and author name to stand out, and that all elements come together to create an outstanding representation of the work your cover protects and advertises. 

I can't wait to share our latest client's book cover with you, as the illustrator is amazing, but first, all the above details must be worked out.

What were the key components you wanted your book cover to show a potential reader?  How did you ensure it would entice a possible reader to click or pick up your book?  Please share!


~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left

 
 
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Great Expectations
Moby Dick
Pride & Prejudice
Huckleberry Finn
Anything by Shakespeare...

 If written today, would these classic titles have survived the test of time or even been noticed? We live in a world of short attention spans, ADD, multimedia, ads posted on buses, cars, billboards, and even some restaurant bathrooms. (Albeit not very nice restaurants.) We write in small shorthanded snippets, lucky if an entire sentence gets created and read by scanning headlines and bullet points.

So, could any of the books we’ve grown up knowing as classics have ever made themselves known or even read in this new society? Thanks to self-publishing, tens of thousands of books are being published when we might have seen only hundreds in years past. But, this ever increasing competition for our attention, along with our inability to focus for more than mere minutes or even seconds, has made it signficiantly more difficult to imagine having the patience to commit to a heavy novel  unless it was  riddled with action or suspense.

Recently, I’ve read articles telling authors to split stories down into shorter books and market them as a series. Written even just a decade ago, that would mean the Harry Potter series would have been 15 books instead of 7, which seems a little insane. Regardless of the insanity, it's not a coincidence that today, the most successful self published authors are the ones producing the 'fluffy reading candy,' turning the once regarded act of reading into the equivalent of watching tv, or even playing a video game.

I’d like to believe that a good story is timeless. I just have to wonder how the above ‘classics’ might have been written and/or marketed differently for them to compete today. It makes me shudder to think they may not have been written or published at all.

Will the ‘Classics’ even be remembered 100 years from now? Will they continue to be read? Do you think the pendulum will swing back to a time when we’re tired of the over-stimulation?

--
Andrea Bandle
Writer/Editor, Co-founder
editor@helpmeselfpublish.com
@HelpMeSelfPub

 
 
Hiring the Right Editor
Choosing the right editor can be like hiring a contractor. Both are helping you construct your vision and turn it into a reality. But, like a poor contractor, the wrong editor can leave you frustrated or depressed over  an unfinished product and money down the drain. On the other hand, the right editor can help you bring your story to life.

Most importantly, your editor's main goal should be helping you create the best book possible!

So, what should you look for in a good editor?

  • A positive rapport. Your editor will become intimately involved in your book. We all feel vulnerable initially sharing our "baby" with someone, especially a stranger. Start a dialogue. Learn their editing style and experiences and how they approach the process. Is this someone you can see building a solid relationship together?
  • What type of editing do they provide? Do they only provide content editing services, or will they also include line item edits and proofreading, too? Many editors separate out their services, and some will only do certain types of editing.
  • Sample their work. A good editor will not mind providing a sample of their editing skills and give you a solid idea of what you'll be receiving. A few editors will offer to edit a chapter or two of your book with no obligation.
  • Cost. Editing can be charged either per word, per hour, and/or per page. You should know what your editor will be charging, the estimated timeline of completion, and their payment policy before you hire. Some ask for payment up front, others for a percentage up front with the remainder due upon completion. The range between rates can vary largely, so it's prudent to get multiple quotes.
One common mistake authors make is to hire the first person contacted. Keep in mind that the most expensive person may not provide the best quality, which is why cost should be the final consideration. You can find common editorial rates via the Editorial Freelancers Association.

What has been your experience with editor(s)? Any additional advice you'd like to share?

--
Andrea Bandle
Writer/Editor, Co-founder
editor@helpmeselfpublish.com
@HelpMeSelfPub

 
 
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In my mind, the real difference between self publishing and traditional is the control factor. Traditional publishing houses own the rights to the author’s book; therefore, they’re in control of everything from how the story is written to who the audience will be. If they want something rewritten to their specification, the author doesn’t have any choice once they’ve signed the contract.

Because of that, many writers decide to self publish. But, does that mean they’re completely on their own, having to learn how to edit, design covers and the ins/outs of formatting? Not necessarily. In fact, it’s just the control factor that's different. Instead of taking on the entire publishing process on their own, they can hire people to assist them. But, the big difference is that the author remains in control. They’re the employer instead of the employee and their vision remains in tact while others are allowed to help bring it to life.

So, which services should a writer hire out and which should they tackle on their own?

To create a self published product worthy of competing in the big leagues, authors want to be sure they hire a professional editor. A good editor should work with the writer from plot to proofreading. They will not only look for the holes and inconsistencies, but the best ones will offer recommendations and solutions to make the story shine it’s brightest, without losing its core vision. Of course, most writers want their story to remain as it was originally intended, but they should also be certain they write a page turning story where their audience gets lost in the prose. Nothing breaks that spell more than boring, unnecessary back story, dialogue that doesn’t fit with the character’s personality, and/or plot lines that are going nowhere, leaving the reader with more questions than answers.

The cover art is the next service that should be hired out. (Unless the author is a professional graphic artist.) Self Publishing has made it easier than ever for an author to get their work out to the public; but the downside is there are also many more books with which they must compete. With a book’s first impression based on the cover art, no writer should squelch on this important publishing decision.

There is some investment involved: either time or money.

But, the recent explosion in self publishing has increased the competition for those pre-publishing services, so it is possible to find highly competitive rates. Like with any important purchase, it’s always best to shop around and/or get referrals. For those services an author may choose to forge on their own, a whole host of free information on how-to self publish can be found.

Are you an author that has published on your own? If so, which services did you hire out and which did you feel you could handle yourself? Did you have to learn a whole new skill set to do it? I'd love to hear your experiences.

--
Andrea Bandle
Writer/Editor, Co-Founder
editor@helpmeselfpublish
@HelpMeSelfPub

 
 
Got Beta Readers?
I have a dear friend who is getting ready to publish her first novel, and I am one of her Beta Readers.

I have been a Beta Tester for a Beta Launch or Beta Version, but a Beta Reader for a novel? What a novel idea - I love it!

If you are ready to self publish, right before you hire an editor, you might seriously want to consider finding some Beta Readers of your manuscript to ensure the best possible success of your hard work.  Before you simply go ask Aunt Martha to read your book, and give her your pile of college-ruled, lined paper filled with your one-of-a-kind, handwritten brilliance, here are some things that might make the experience actually worth your (and your Beta Readers') time:
  • Choose your Beta Readers carefully - Unless the aforementioned Aunt Martha is a professional copy editor, and can do double duty as editor and Beta Reader, you might want to find five to seven other people who love to read and/or write the type of book you have written.  If your audience is primarily one gender, your Beta Readers should be also.  Remember, you are asking these people to provide constructive feedback on your baby - make sure you feel their comments will possibly improve your book.
  • Provide a format that is both easy and functional for your Beta Readers - I received an Adobe Acrobat version of Clare's book, which allowed me to add my comments by using sticky notes and the like.  Joanna Penn, on the other hand, printed a version of her first novel and provided it to her Beta Readers for hand written notes.  Whichever you choose, think of the ease of use for your Beta Readers, and be prepared to read your book many times with many comments.
  • Give clear instructions and a deadline for your Beta Readers - You are looking for usable feedback, so provide usable instructions. Ask your readers to read as if they themselves bought the book.  Have them look for plot/timeline confusion, character concerns, "speed bumps" that make the reader stop and question, factual errors, tone or voice confusion - any comments repeated by two or more Beta Readers tell you that a rewrite of that section is probably wise.
  • Be prepared and have a plan for another red pen markup of your perfect baby - Many of us writer-types wed ourselves to passages, dialogue or scenes, and if those are questioned, we fight for our darling tidbits.  If only one person questions one of your wedded verses, maybe they just didn't get it, but if two or more people question it...kill it!  Which is more important...the success of your novel, or that one brilliant verse?
It is common practice for serious self publishing novelists to ask for feedback before the final stage of publication.  Joanna Penn, Self Published Author of two Best-Selling thriller novels and voice of The Creative Penn says Beta Readers are essential to successful publishing.  Find Beta Readers and use them wisely; you will be happy you did.

Have you used Beta Readers prior to self publishing? How would you characterize the experience - Successful? Painful?  Please share ~

~Mary Kathryn Johnson
Author ~ Entrepreneur ~ Mom

@SayBumpandTweet
MommyLoves to Chat!
Everything MommyLoves
Say Bump and Take a Left